Christie Burke's Infinite Booklist

Railsea September 10, 2012

Filed under: adventure,fiction,guys,steampunk,YA — Christie @ 2:58 pm
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Though it was a little bit of a slow start for me, once I got into Railsea I could.not.put.it.down. This is a steampunk novel full of adventure, action, and suspense.

Sham ap Soorap is an apprentice aboard a moling train (think whaling ship and you’ll have the right idea). The sea is a sea of rails instead of water; the beasts that molers hunt (and are hunted by) are giant moles, ant lions of unusual size, and burrowing owls that can lift a train from the tracks. Sham’s voyage takes him to a wrecked train that’s carrying some surprising information, and the pictures he finds lead him to Caldera and Dero Shroake, whose parents (like Sham’s) have long been missing.

The Shroakes’ quest to finish their parents’ mission brings Sham into epic danger, to a daring escape from near-certain death, and ultimately on a journey to the end of the railsea: the place where there’s only one track to travel on.

This is a great novel for those who like adventure, suspense, and action, with a dark and funny little surprise at the end of the line. Recommended.

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The Looking Glass Wars October 7, 2010

Filed under: adventure,crossover,fantasy,fiction,guys,science fiction,series,YA — Christie @ 9:14 pm

I broke a cardinal rule last winter and booktalked Frank Beddor’s The Looking Glass Wars without having read it first.  (In my defense, I didn’t actually talk much – just showed the book trailer and noted that we own the book.)  It’s a reimagining of Alice in Wonderland; I talked it up as a fractured fairy tale.  Having just finished it, I think it’s more a SF/battle story that happens to use Alice as its backdrop.

 

The story begins with Alyss Heart’s seventh birthday and a palace coup that forces her to flee Wonderland through the Pool of Tears.  She lands in Victorian London and makes a life for herself with the Liddell family (Alice Liddell was the actual little girl for whom Charles Dodgson/Lewis Carroll wrote the original Alice stories), until eventually she’s brought back to Wonderland as an adult and takes on a fight for her rightful throne.

 

Frank Beddor walks a fine line in this book — Wonderland is recognizably the world of Alice, but it looks a lot different from the way Lewis Carroll brought it to us.  The events of the story are plausible in that world, but completely new and intriguing.  On top of that, The Looking Glass Wars is the start of a trilogy and is followed by a series of graphic novels dealing with Hatter Madigan (Alyss’s royal bodyguard).

 

Though I found this book slow at first, I think that may have been me and not the story.  It picked up considerably about a third of the way through and really kept me going from then on.  So I was wrong about the fairy tale situation — sorry, high school kids.  You should probably read this book anyway.

 

The Maze Runner August 3, 2010

The Maze Runner (cover)Dashner, James.  The Maze Runner. Random House (Delacorte Press), 2009.

Thomas is the newest arrival to the Glade, a compound where preteen and teenage boys are fending for themselves and creating a life with no adults.  Up to the time he arrives in the mysterious lift (called The Box), a new Glader just like Thomas has arrived every month, with no recollection of his previous life and no information about himself except his first name.  It happens once a month like clockwork – until 1) another person comes through The Box the very next day who is 2) a girl and 3) is clutching a note that says, “She’s the last one. Ever.”

The Glade, thus far, has proven inescapable.  It’s surrounded by a giant maze that changes every day.  A team of eight Runners goes out each day to try and find an exit, but none has been found and the Runners are beginning to think it’s unsolvable.  Thomas wants to be a Runner even though he’s new to the Glade, and the presence of the girl is making him think he might have some answers if he could just get to his memories.

The Maze Runner is a terrific follow-up recommendation for kids who are reading the Hunger Games series, with some similar themes of beating the system and sticking it to the man.  There’s lots of action here and while the author classifies himself as a fantasy writer, I think sci-fi readers would enjoy it as well.  I will say this: I hated the ending, but it is the first in a series (The Scorch Trials is due out in a couple of months, and we can only hope it has some answers in it).

 

Interworld June 13, 2010

Interworld cover, Gaiman/Reaves, 2007

I’ve developed sort of a literary crush on Neil Gaiman.  His writing is clever and just enough off from actual reality to be chilling  (Coraline actually gave me nightmares – that whole parallel universe thing really got to me, for whatever reason.), and I’ll try out any book with his name on it.  I was pleased to run across Interworld (Neil Gaiman & Michael Reaves, Eos/HarperCollins, 2007) and intrigued by the premise: not just one parallel world, but hundreds of thousands of worlds, each of which is spun off when someone makes a decision of any import.  If, on a given day, a world leader makes a decision to pursue peace instead of war – and it’s a hard decision, naturally, which affects untold numbers of people – in that leader’s world, his decision stands.  But another world is created in which he made the opposite choice, and any number of things are subtly wrong about that world.

Tenth-grader Joey Harker is the main character of Interworld, and he finds himself walking between worlds without warning or comprehension.  As he comes to understand what’s happening to him (and meets up with the many and varied incarnations of himself that exist in all these parallel worlds), he also learns about the ongoing battle between science and magic in the Multiverse – literally a battle, and literally deadly.  Joey has to make a hero’s decision when he is asked to take on more than he ever considered, and he ends in a place and a mode of living that he would never have thought possible before he started Walking.

I found this book delightfully creepy, action-packed and touching – if a little too easily resolved in some respects.  It’s a good coming-of-age story, and I think it’s interesting that my local library has it cataloged and shelved in Children’s Fiction.  I’d argue for YA/Teen myself.  There are definitely kids in my school who would read and enjoy this book – freshmen more than seniors, I think, but still.  I don’t think I would put Interworld in front of a kid younger than 12, either.  There’s a touch of melancholy and a sense of lostness (also present in Coraline and in Gaiman’s Neverwhere) that I think younger readers would miss or be confused by.  Wherever you want to shelve it, Interworld is a good read, and worth the short time it’ll take you to drink it in.