Christie Burke's Infinite Booklist

I Will Save You September 12, 2012

Filed under: fiction,guys,realistic fiction,YA — Christie @ 7:20 pm
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The jacket blurb for this book is a little mysterious: Kidd is running from everything and runs into a girl, Olivia, who’s different from him in every way (except maybe the important ways that might mean something). Devon is both Kidd’s best friend and his worst enemy, carrying around a death wish and a lot of spite. Kidd doesn’t even know how Devon found him, but now Devon’s staying until Kidd learns a lesson or two. It doesn’t give you a lot to go on, but it does build suspense before you turn a single page.

The plot twist at the beginning of I Will Save You (yes, the beginning) opens the door for the rest of the story to be told as flashbacks, flashforwards, and dreamy-yet-revealing interludes. Ordinarily this would drive me a little crazy, but de la Peña does it skillfully and reveals a little at a time… bringing us through daredevil stunts, particularly sweet Kidd/Olivia moments, and terrible understanding at just the right pace. And then… guess what? Another plot twist at the end, so perfect and fascinating that I had to read the book twice.

This book moves quickly enough that it’d be a good choice for a reluctant reader. It’s a good “guy book,” especially for guys who may feel like no one really gets them. Readers who enjoy suspense and psychology will like I Will Save You, as will those who just appreciate a good, realistic narrative.

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Railsea September 10, 2012

Filed under: adventure,fiction,guys,steampunk,YA — Christie @ 2:58 pm
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Though it was a little bit of a slow start for me, once I got into Railsea I could.not.put.it.down. This is a steampunk novel full of adventure, action, and suspense.

Sham ap Soorap is an apprentice aboard a moling train (think whaling ship and you’ll have the right idea). The sea is a sea of rails instead of water; the beasts that molers hunt (and are hunted by) are giant moles, ant lions of unusual size, and burrowing owls that can lift a train from the tracks. Sham’s voyage takes him to a wrecked train that’s carrying some surprising information, and the pictures he finds lead him to Caldera and Dero Shroake, whose parents (like Sham’s) have long been missing.

The Shroakes’ quest to finish their parents’ mission brings Sham into epic danger, to a daring escape from near-certain death, and ultimately on a journey to the end of the railsea: the place where there’s only one track to travel on.

This is a great novel for those who like adventure, suspense, and action, with a dark and funny little surprise at the end of the line. Recommended.

 

The Looking Glass Wars October 7, 2010

Filed under: adventure,crossover,fantasy,fiction,guys,science fiction,series,YA — Christie @ 9:14 pm

I broke a cardinal rule last winter and booktalked Frank Beddor’s The Looking Glass Wars without having read it first.  (In my defense, I didn’t actually talk much – just showed the book trailer and noted that we own the book.)  It’s a reimagining of Alice in Wonderland; I talked it up as a fractured fairy tale.  Having just finished it, I think it’s more a SF/battle story that happens to use Alice as its backdrop.

 

The story begins with Alyss Heart’s seventh birthday and a palace coup that forces her to flee Wonderland through the Pool of Tears.  She lands in Victorian London and makes a life for herself with the Liddell family (Alice Liddell was the actual little girl for whom Charles Dodgson/Lewis Carroll wrote the original Alice stories), until eventually she’s brought back to Wonderland as an adult and takes on a fight for her rightful throne.

 

Frank Beddor walks a fine line in this book — Wonderland is recognizably the world of Alice, but it looks a lot different from the way Lewis Carroll brought it to us.  The events of the story are plausible in that world, but completely new and intriguing.  On top of that, The Looking Glass Wars is the start of a trilogy and is followed by a series of graphic novels dealing with Hatter Madigan (Alyss’s royal bodyguard).

 

Though I found this book slow at first, I think that may have been me and not the story.  It picked up considerably about a third of the way through and really kept me going from then on.  So I was wrong about the fairy tale situation — sorry, high school kids.  You should probably read this book anyway.

 

The Maze Runner August 3, 2010

The Maze Runner (cover)Dashner, James.  The Maze Runner. Random House (Delacorte Press), 2009.

Thomas is the newest arrival to the Glade, a compound where preteen and teenage boys are fending for themselves and creating a life with no adults.  Up to the time he arrives in the mysterious lift (called The Box), a new Glader just like Thomas has arrived every month, with no recollection of his previous life and no information about himself except his first name.  It happens once a month like clockwork – until 1) another person comes through The Box the very next day who is 2) a girl and 3) is clutching a note that says, “She’s the last one. Ever.”

The Glade, thus far, has proven inescapable.  It’s surrounded by a giant maze that changes every day.  A team of eight Runners goes out each day to try and find an exit, but none has been found and the Runners are beginning to think it’s unsolvable.  Thomas wants to be a Runner even though he’s new to the Glade, and the presence of the girl is making him think he might have some answers if he could just get to his memories.

The Maze Runner is a terrific follow-up recommendation for kids who are reading the Hunger Games series, with some similar themes of beating the system and sticking it to the man.  There’s lots of action here and while the author classifies himself as a fantasy writer, I think sci-fi readers would enjoy it as well.  I will say this: I hated the ending, but it is the first in a series (The Scorch Trials is due out in a couple of months, and we can only hope it has some answers in it).

 

Marcelo in the Real World

Filed under: fiction,guys,Uncategorized,YA — Christie @ 8:54 pm
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Marcelo in the Real World (cover)Stork, Francisco X. Marcelo in the Real World. Scholastic, 2009.

Marcelo is about 17, and maybe on the autism spectrum – at least that’s how his doctor defines his quirks (which include hearing music that no one else can hear). His father arranges for Marcelo to work in his law firm’s mailroom to get some “real world” experience outside the sheltered environment of Marcelo’s small private school.

Marcelo ends up getting way more experience than anyone expected: experience with the city, with people who can and cannot be trusted, with doing the right thing in a setting that doesn’t always ask or expect the right thing, with the very beginning of Being Friends With a Girl.  He’s naive to a fault, but also entirely consistent in the ways he moves in the world.

There is a sweetness in this book that really appeals to me.  Marcelo is a real person and very true to himself — although his method of determining what is and isn’t okay for him is hyper-logical and consistent with an autism diagnosis.  I love the fact that he finds a friend in the book, someone who definitely has his best interests at heart and might eventually come to take a different role in Marcelo’s life.  Marcelo in the Real World is a good read for someone who enjoys a good story and strong characters, and for those who might not enjoy the action/thriller/trauma genre.

 

American Gods July 20, 2010

Filed under: fantasy,for grownups,guys — Christie @ 10:17 am
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American Gods (cover)Gaiman, Neil.  American Gods. HarperCollins, 2001.

This novel is dense and deeply rooted, involving stories of old gods (literally ancient, old-world gods from a variety of cultures) transplanted to America by immigrants and gradually forgotten as people assimilated to American culture and created new, slicker, faster gods for themselves.

Shadow is the person who connects the old gods with each other.  A convict out on parole, he hooks up with Wednesday (Wodin) and gets involved with the brewing battle between the old gods and the new.  Eventually Shadow learns that things are not what they seem – but despite having been deceived, he finds that his world is richer for the experience.

I love the way Gaiman develops his characters – they’re complicated people, even when they aren’t people at all.  Each mythological figure in American Gods has a personality and a history.  This book is vivid and richly imagined, with a final plot twist that shows that even the gods are bound to be faithful to their own stories.

 

Interworld June 13, 2010

Interworld cover, Gaiman/Reaves, 2007

I’ve developed sort of a literary crush on Neil Gaiman.  His writing is clever and just enough off from actual reality to be chilling  (Coraline actually gave me nightmares – that whole parallel universe thing really got to me, for whatever reason.), and I’ll try out any book with his name on it.  I was pleased to run across Interworld (Neil Gaiman & Michael Reaves, Eos/HarperCollins, 2007) and intrigued by the premise: not just one parallel world, but hundreds of thousands of worlds, each of which is spun off when someone makes a decision of any import.  If, on a given day, a world leader makes a decision to pursue peace instead of war – and it’s a hard decision, naturally, which affects untold numbers of people – in that leader’s world, his decision stands.  But another world is created in which he made the opposite choice, and any number of things are subtly wrong about that world.

Tenth-grader Joey Harker is the main character of Interworld, and he finds himself walking between worlds without warning or comprehension.  As he comes to understand what’s happening to him (and meets up with the many and varied incarnations of himself that exist in all these parallel worlds), he also learns about the ongoing battle between science and magic in the Multiverse – literally a battle, and literally deadly.  Joey has to make a hero’s decision when he is asked to take on more than he ever considered, and he ends in a place and a mode of living that he would never have thought possible before he started Walking.

I found this book delightfully creepy, action-packed and touching – if a little too easily resolved in some respects.  It’s a good coming-of-age story, and I think it’s interesting that my local library has it cataloged and shelved in Children’s Fiction.  I’d argue for YA/Teen myself.  There are definitely kids in my school who would read and enjoy this book – freshmen more than seniors, I think, but still.  I don’t think I would put Interworld in front of a kid younger than 12, either.  There’s a touch of melancholy and a sense of lostness (also present in Coraline and in Gaiman’s Neverwhere) that I think younger readers would miss or be confused by.  Wherever you want to shelve it, Interworld is a good read, and worth the short time it’ll take you to drink it in.